The artistic space of Kazakh writers and painters works in the context of national worldview

Abstract

The study provides a comprehensive communicative, structural-semantic, art history
study of derivative components that characterize the art space of works of literature and painting by
Kazakhstan`s authors. The aim of the study is to establish spatio-temporal relationships in the works of
art and literature of Kazakhstani authors, specific to the traditional Kazakh worldview. A brief historical
retrospective of the category «art space»is presented in the aspect of philosophy, cultural studies, and
history of art. In the process of research, the author uses methods of comparative analysis of the visual
and expressive means of the language of paintings, Kazakh folklore and modern prose writers, including
both direct and figurative components of artistic meaning, as well as the author’s personal meaning,
characterizing the ideological status of the artist. In the process of research, the author comes to the
conclusion that the imagery of the linguistic and pictorial means of fiction used by modern Kazakhstan`s
authors of the brush and word translates mythological and epic motifs, while maintaining interconnection
with the origins of the national worldview of the Kazakh people