The Idea of Independence in the Works of Early Twentieth Century Akyns and Zhyrshy-Zhyrau

Abstract

The article comprehensively examines the idea of independence as reflected in the poetry of Kazakh singer-poets and zhyrau of the early and mid-twentieth century. The main aim of the study is to reveal the semantic scope of the idea of independence represented in the works of Kazakh singer-poets and zhyrau of the twentieth century and to identify new possibilities for its artistic and linguistic representation. Achieving this aim requires a systematic analysis of the historical, aesthetic, and linguostylistic aspects of representing the idea of national freedom and independence in their poetry. The research employs historical-chronological, descriptive, comparative, content analysis, and linguostylistic methods. The historical origins of the idea of freedom in traditional zhyrau and singer-poet poetry are analyzed in relation to the socio-political conditions of the early twentieth century. The influence of colonial pressure and social transformations on the poets’ worldview is identified, and the artistic representation of the spirit of freedom in their works is examined. The works of Zhambyl Zhabayev, Nurpeis Baiganin, Kenen Azirbayev, Isa Baizakov, Nartai Bekezhanov, and other prominent figures are systematized. Particular attention is paid to the role of metaphors, epithets, symbols, and historical imagery in conveying the idea of independence. The study demonstrates that the poetry of this period is an important spiritual reflection of the nation’s aspiration for freedom and plays a significant role in shaping national consciousness and historical memory.