Zhambul’s Improvisational Art: Syncretism and Word Mastery
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DOI:
https://doi.org/10.32523/2616-678X-2019-128-3-23-29Keywords:
aitys, poets, zhyry-zhyrau, tradition of poverty, improvisationAbstract
The article analyzes the poetic aspects and poetic power of the Soviet poet Zhambyl
Zhabayev. The heritage of Zhambyl is considered part of the literary research of the Soviet era in the
Kazakh literary studies and folklore. Indeed, during 1934-45 it played a crucial role for Soviet ideology.
Mugen Auezov’s article «Zhambyl and folk poets» states: «If Gomer’s name is a complementary name of
the whole generation of folk poets for many centuries, the full and aggressive people of the people of the
last century are Ashgur Stalsky, the poet Zhambyl and other people poets’ names. « (Перевод не соответствует тексту аннотации на казахском языке)
From the beginning of the 90s, Kazakh people, who have been on the path of development and
development, have begun to look at their history in a new way. It is a way of modernizing and renewing
the world civilization, which has been striving for a full recognition of its identity to the community. One
of the most pressing issues of today’s stage is to re-evaluate the most prominent figures of the oral tradition
of folk history with new perspectives on modern requirements. The fact that Zhambyl Zhabayev’s creative
work, poetic environment is one of the great personalities left in the history of Kazakh literature with a
significant legacy, is a natural legitimacy
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